- TORRENT COSMOGRAMMA FIELDLINES SOFTWARE
- TORRENT COSMOGRAMMA FIELDLINES CODE
- TORRENT COSMOGRAMMA FIELDLINES FREE
- TORRENT COSMOGRAMMA FIELDLINES MAC
So a little earlier this year, I was talking to the Warp guys about some of the stuff they wanted to do for the Cosmogramma release. Magnetic generative Processing goodness image courtesy Aaron Meyers. So anyway, I was playing around with that stuff and making stuff like this:
TORRENT COSMOGRAMMA FIELDLINES CODE
The magnetic force algorithm was actually based on some code I discovered in Toxi’s onedotzero identity project.
TORRENT COSMOGRAMMA FIELDLINES SOFTWARE
Late last year, I was writing a piece of software with Processing that I was using to make images and animation using simulated magnetic forces. I asked Aaron about how he put the work together.
TORRENT COSMOGRAMMA FIELDLINES FREE
The work combines imagined magnetic fields with free code framework OpenFrameworks. Interactive artist Aaron Meyers did the programming. (Harpist Rebekah Raff’s delicate textures dance through the air as it moves.) McCloskey for Flying Lotus’ upcoming album “Cosmogramma”, the organic visual pattern animates to movement tracked from your computer webcam, accompanied by the sounds of the record. Based on the exquisite cover art by Leigh J.
TORRENT COSMOGRAMMA FIELDLINES MAC
Just ask Flying Lotus.įieldlines is a free Mac and Windows application that creates an “augmented reality” experience for your computer. Well, eat your heart out, LPs: album art is back, it’s interactive, and it’s trippier than ever. FlyLo is working at the height of his creative powers right now, and the scary thing is it's reasonable to think he could get better.You’ve heard the lamentations before: album art died with the move from the large canvas of the LP vinyl record to the CD. It's this level of confidence and commitment to his vision that ultimately makes Cosmogramma so fascinating. It's so subtle, in fact, that if you're not paying close attention you might miss his appearance altogether. But FlyLo doesn't pay Yorke any undue deference, just treats his vocals like another element to manipulate and weave into the mix. Obviously an electronic-music fan, Yorke has done these guest spots before (for Modeselektor and others) and with such a high-profile contributor it's easy to make the song all about him.
The song that will likely get the most attention here is ".And the World Laughs With You", a collaboration with Thom Yorke. And it's not just beats: "Satelllliiiiiiite" is as dreamy as anything FlyLo's done to date, its distorted vocal samples and steam-building arrangement not unlike something out of Burial's repertoire and frankly just as good. These aren't just tricks- in each case they push the song toward a groove. The beat of "Computer Face // Pure Being" trips over itself again and again like clothes tumbling in a dryer. In "Zodiac Shit", he makes a heavy, loping bass thump sputter out on cue, creating a physical rumbling quality. FlyLo shows ridiculous talent in each section- the things he can do with and to beats just aren't common. The latter partly serves as a necessary breather from the complicated sounds earlier on. True to its title, Cosmogramma then moves through a heady astral stretch and finally a more downtempo jazz-heavy period. Like much of the album, it sounds almost frustratingly unstable until you hear it a few times and the pieces begin to interlock and congeal. On "Nose Art", FlyLo puts raygun squiggles alongside woozy synths, grinding mechanical noises, and about 10 other sonic elements. There are roughly three of these passages- the first is an aggressive three-song suite based loosely on videogame sounds. That's clear on Cosmogramma, as there are distinct passages that pursue an elaborate kind of digital jazz and the album is constructed to move through different sections, as one of Coltrane's might. Ellison is, of course, the nephew of jazz great Alice Coltrane and has said in interviews that his albums are in part dedicated to her. Jazz is a big influence on the record, and it's a good place to start talking about the individual sections that make up the whole.
In this sense, it feels almost like an avant-garde jazz piece, and so it takes more than a few listens to sink in- one or two spins and you're still at the tip of the iceberg. But Cosmogramma is conceived as a movement- bits of one song spill into the next, and its individual tracks make the most sense in the context of what surrounds them. Even on Los Angeles, which hung together well as a full-length, there were moments you could pick out as singles or highlights- the distorted pop of "Camel" or the maniacal electro-house of "Parisian Goldfish". Indeed, Cosmogramma is an intricate, challenging record that fuses his loves- jazz, hip-hop, videogame sounds, IDM- into something unique.
0 kommentar(er)
